Moris - heavy industry in the digital reality

One of the most technologically advanced companies in the steel products industry. As they entered the digital world and launched online sales, they needed a new visual communication system.

Moris - heavy industry in the digital reality

One of the most technologically advanced companies in the steel products industry. As they entered the digital world and launched online sales, they needed a new visual communication system.

Moris - heavy industry in the digital reality

One of the most technologically advanced companies in the steel products industry. As they entered the digital world and launched online sales, they needed a new visual communication system.

Orange-hot metal passes between steel rollers in a dark production hall.
Moris logo: an angular arrow mark above the word “Moris”, with “steel trade and services” and “moris.eu” below.

Rebranding:

Brand strategy

Current brand status diagnosis

Category analysis

Target group analysis

Insight

Mission, vision, values

Brand positioning

Communication strategy

Style and tone of narration

Visual identity

Logo redesign

Key visual

Illustrations

Icons and infographics

Motion design

Written identity

Brand dictionary

Storytelling

Content

Copywriting

Photo shoot – art direction

Photo and illustrations selection

Product renders

Implementation and maintenance

Materials templates

Signage

Social media communication framework

Design system

Brand manual

Orange-hot metal passes between steel rollers in a dark production hall.
Moris logo: an angular arrow mark above the word “Moris”, with “steel trade and services” and “moris.eu” below.

Rebranding:

Brand strategy

+

Visual identity

+

Written identity

+

Content

+

Implementation and maintenance

+

Orange-hot metal passes between steel rollers in a dark production hall.
Moris logo: an angular arrow mark above the word “Moris”, with “steel trade and services” and “moris.eu” below.

Rebranding:

Brand strategy

Current brand status diagnosis

Category analysis

Target group analysis

Insight

Mission, vision, values

Brand positioning

Communication strategy

Style and tone of narration

Visual identity

Logo redesign

Key visual

Illustrations

Icons and infographics

Motion design

Written identity

Brand dictionary

Storytelling

Content

Copywriting

Photo shoot – art direction

Photo and illustrations selection

Product renders

Implementation and maintenance

Materials templates

Signage

Social media communication framework

Design system

Brand manual

In the largest and most modern high-bay steel warehouse in Poland, everything is fully automated. This place truly impresses with its rhythm and geometry.

In the largest and most modern high-bay steel warehouse in Poland, everything is fully automated. This place truly impresses with its rhythm and geometry.

In the largest and most modern high-bay steel warehouse in Poland, everything is fully automated. This place truly impresses with its rhythm and geometry.

The white “Moris” wordmark and geometric mark overlay blue racks in an automated steel warehouse.
The white “Moris” wordmark and geometric mark overlay blue racks in an automated steel warehouse.
Tall, dark warehouse racks form a long aisle with one person visible on the floor below.

Heavy industry meets modern technologies which manage the process of sending and receiving orders.

Tall, dark warehouse racks form a long aisle with one person visible on the floor below.

Heavy industry meets modern technologies which manage the process of sending and receiving orders.

Tall, dark warehouse racks form a long aisle with one person visible on the floor below.

Heavy industry meets modern technologies which manage the process of sending and receiving orders.

A pale blue Moris slide pairs a worker at a machine with the Polish line „Technologie pracują razem z nami nad najwyższą jakością produktów.”
A pale blue Moris slide pairs a worker at a machine with the Polish line „Technologie pracują razem z nami nad najwyższą jakością produktów.”

When designing the new system, we decided to use several complementary elements. We drew inspiration from industrial aesthetics. We were also fascinated by the details of the products and the technological process itself.

When designing the new system, we decided to use several complementary elements. We drew inspiration from industrial aesthetics. We were also fascinated by the details of the products and the technological process itself.

When designing the new system, we decided to use several complementary elements. We drew inspiration from industrial aesthetics. We were also fascinated by the details of the products and the technological process itself.

A sheet of technical drawings shows steel profiles and joints through sections, elevations and grey component renders.
A sheet of technical drawings shows steel profiles and joints through sections, elevations and grey component renders.
The navy geometric Moris mark sits above the “Moris” wordmark on a light grey panel.

It is a highly technological story, but there is still room for the people who created and continue to create Moris. Without them, nothing would be possible. No processes. Not even the automated ones.

It is a highly technological story, but there is still room for the people who created and continue to create Moris. Without them, nothing would be possible. No processes. Not even the automated ones.

It is a highly technological story, but there is still room for the people who created and continue to create Moris. Without them, nothing would be possible. No processes. Not even the automated ones.

A “Ludzie Technologie Procesy” slide has a pale blue text panel and a portrait of a man in glasses.
Three Moris panels read “Ludzie”, “Technologie” and “Procesy”, with a worker, steel profile and machine drawing respectively.
A bundle of silver steel bars rests on a conveyor in a bright warehouse and production hall.
A bundle of silver steel bars rests on a conveyor in a bright warehouse and production hall.

One of the elements of the visual narrative is light, expressive illustrations. They explain what is normally complex and heavy.

One of the elements of the visual narrative is light, expressive illustrations. They explain what is normally complex and heavy.

One of the elements of the visual narrative is light, expressive illustrations. They explain what is normally complex and heavy.

An abstract pattern is built from large navy and light blue fragments of the Moris geometric mark.
An abstract pattern is built from large navy and light blue fragments of the Moris geometric mark.
A Moris catalogue cover pairs a steel-structure photograph with a navy lower panel reading “Katalog produktów 2022”.
A meeting room has white chairs and a long table, with a pale blue pattern of Moris mark fragments across the wall.
A Moris catalogue cover pairs a steel-structure photograph with a navy lower panel reading “Katalog produktów 2022”.
A meeting room has white chairs and a long table, with a pale blue pattern of Moris mark fragments across the wall.
A Moris catalogue cover pairs a steel-structure photograph with a navy lower panel reading “Katalog produktów 2022”.
A meeting room has white chairs and a long table, with a pale blue pattern of Moris mark fragments across the wall.
  • A narrow Moris type specimen reads “Ludzie Technologie” above a large “02” and icons on light grey.
  • A Moris interface kit combines pale blue product cards, coloured labels, numbers and a “Details” button.
  • A pale blue product card reads “Product name” beside a silver steel tube and a large “05”.
  • Nine grey renders of steel profiles and tubes are arranged in three rows on a light grey background.
  • Two information banners appear: a blue one with a machine drawing and a yellow one with an icon and “These items are heavy.”
  • The Moris identity palette shows navy, blue, grey and white swatches alongside colour codes.
A white trailer with a large white mark on a navy panel stands beneath a suspended bundle of steel profiles in a hall.
A white trailer with a large white mark on a navy panel stands beneath a suspended bundle of steel profiles in a hall.

When designing visual identities, we often create branding for company cars. However, the opportunity to brand a train is very rare.

When designing visual identities, we often create branding for company cars. However, the opportunity to brand a train is very rare.

When designing visual identities, we often create branding for company cars. However, the opportunity to brand a train is very rare.

A navy Moris locomotive stands on tracks beneath a blue sky, with a large white geometric mark on its side.
A navy Moris locomotive stands on tracks beneath a blue sky, with a large white geometric mark on its side.
  • A side view of a navy Moris locomotive design sits on light grey, carrying a white mark and “Moris” wordmark.
  • A long navy Moris locomotive render carries a white mark, “Moris” wordmark and small strapline on its side.
  • A Moris signage proposal shows a navy vertical totem and the “Moris” logo with geometric mark on a pale façade.
  • A side view of a navy Moris articulated lorry shows the white “Moris” wordmark and an oversized mark on the trailer.
A white safety helmet bears the navy “Moris” wordmark and geometric mark against a pale blue background.
A white Moris high-visibility vest with grey bands and a large geometric mark is shown against navy.
A white safety helmet bears the navy “Moris” wordmark and geometric mark against a pale blue background.
A white Moris high-visibility vest with grey bands and a large geometric mark is shown against navy.
A white safety helmet bears the navy “Moris” wordmark and geometric mark against a pale blue background.
A white Moris high-visibility vest with grey bands and a large geometric mark is shown against navy.
A photograph of a tall steel storage rack has a large white Moris geometric mark across its lower section.
A photograph of a tall steel storage rack has a large white Moris geometric mark across its lower section.

2022

Design team:

Oksana Shmygol, Julek Wierzchowski, Tomasz Jurecki, Patrycja Mola, Tomasz Sucheta, Brydzia Urbanek, Piotr Wnuk, Mirek Kliś

Photo:

Przemek Szuba

2022

Design team:

Oksana Shmygol, Julek Wierzchowski, Tomasz Jurecki, Patrycja Mola, Tomasz Sucheta, Brydzia Urbanek, Piotr Wnuk, Mirek Kliś

Photo:

Przemek Szuba

2022

Design team:

Oksana Shmygol, Julek Wierzchowski, Tomasz Jurecki, Patrycja Mola, Tomasz Sucheta, Brydzia Urbanek, Piotr Wnuk, Mirek Kliś

Photo:

Przemek Szuba

Mimiś from Studio Otwarte — portrait of a man in glasses and a black T-shirt, seated in an armchair by a window

© 2026 × studio otwarte

Mimiś from Studio Otwarte — portrait of a man in glasses and a black T-shirt, seated in an armchair by a window

© 2026 × studio otwarte

Mimiś from Studio Otwarte — portrait of a man in glasses and a black T-shirt, seated in an armchair by a window

© 2026 × studio otwarte